Kertakova, Marija (2020) Analysis of transfer and application of the conceptual dimensions of the historical costume from the XIX century in the practice of the fashion designers of women's fashion in the beginning of the XXI century – year 2002 Marija Kertakova. Knowledge International Journal, 43 (6). pp. 1355-1371. ISSN 2545-4439 (Online)
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Abstract
Fashion is primarily a social phenomenon, which is expressed mainly and predominantly in clothing and architecture. Separation as a social feature is also associated with visible signs and differences in the appearance of clothing. The implications of this fashion in clothing from the first decade of the XXI century, as analyzes have shown, make fashion a kind of episocial phenomenon. Now fashion is not only in clothing, but also in many other things – that is, fashion multiplies in its object, from transmodern to one of the many simulacra, repeated many times and variably in creating the vision of the ideal of beauty. The aspiration of the average consumer to the spectacles is used in full force in creating the image of the fashion costume, regardless of whether the catwalks are "couture" or "pret-a-porter". The diffusion of the implication features does not distinguish between "festive and everyday", "high and low", "street or business", "particular and military". The abundant variety of "visions" that surround man after the Millennium are stimulated by fashion. On the one hand, the things he wears must be modern, and on the other hand, there must be something to conceptualize the ideal – in the "fashion icons" that have inhabited life during this decade, the material side of reality is present. Couture fashion is that creative human activity that does not leave the material and the visual, but at the same time conceptualizes the spiritual. Fashion in these decades of the XXI century finds its new connection with the sign, striving on this basis to bring the referent closer to the multiplicity of proposed ideals, namely with the help of the visible implications of fashion in the XIX century. Based on this in-depth analysis of the first decade of fashion in the XXI century, i.e. fashion in 2002, the following generalizations can be made about the implications that the masters of "couture" and "pret-a-porter" use in their creativity: a) the mimetic elements are the ready substrate on which the fashion of the XXI century is built; b) the conceptualization of fashion elements from past epochs (in particular in this study of those of the XIX century) allow fashion to present the change of the status of negative ontological values in modern culture in a more acceptable to man form. Artistic implication in general proves to be an extremely powerful method that allows designers, regardless of the field of fashion they work to use all the historical experience and the best achievements of the work of their predecessors in history, for the benefit and finding common ground and ideal for beauty and harmony. Thus, the hypotheses that we accepted at the beginning when writing this work can be considered supported by the facts that we have discovered and interpreted both with text and with the image of historical and modern women's fashion clothes.
| Item Type: | Article |
|---|---|
| Subjects: | Humanities > Art (arts, history of arts, performing arts, music) |
| Divisions: | Faculty of Technology |
| Depositing User: | Marija Kertakova |
| Date Deposited: | 04 Oct 2021 10:31 |
| Last Modified: | 04 Oct 2021 10:31 |
| URI: | https://eprints.ugd.edu.mk/id/eprint/28519 |
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