Janevski, Vladimir (2019) Etnokoreoloska klasifikacija na orata vo Makedonija. Other. Здружение на етнокореолози на Македонија.
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Abstract
The conducted analyses and consulted literature have led to the conclusion that the traditional dance culture in Macedonia can be classified in two main parts, the first part of which covers ritual dances, whereas the second village gathering dances. Following the etymology of the word “dance”, ritual dances can be classified as cultural goods that have certain flow, precisely determined period of maintenance, theatrical performance, specific forms, certain textual context of the rituality, and traditional model of performance, while village gathering dances are characterized by their social entertaining nature throughout the year and are usually performed during Sunday gatherings and certain theme gatherings where they play the role of a binding tissue for the social community.
In this occasion the analysis focuses on the Male and Female Processions, the Easter and ‘Gjurgjovden’ (St. George’s Day) Dances, the Funeral Dances, the Wedding Cycle, the Village Gathering Dances, and the Children Dances.
When recording the data derived from the field research of materials, the dances were analyzed and outlined according to the model of subsequent listing of the following parameters: name of the dance, dance area, map of the ethnic region, sources, informants, description of the dance, dancers, form of the dance, position of hands, nature, background, musical accompaniment, metro-rhythmic structure, melographic record, kinetographic record, and content of the dance pattern.
All this leads to the conclusion that, in order to have better clarity of the dance areas during research, it was necessary to trace the dances diametrically on the territory of Macedonia which led to a more precise division of the dance areas, while the repertoire prevalence and anthropology of the dances were observed according to the ethnic regions.
Traditional dance has its own processes of change and continuation of cultural phenomena starting from the fact that it appears in one place, spreads across the area, upgrades itself, persists, changes, exists, disappears and then as a phoenix rises again and pervades in the culture of certain people and particular social group.
Item Type: | Monograph (Other) |
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Subjects: | Humanities > Art (arts, history of arts, performing arts, music) |
Divisions: | Faculty of Music Art |
Depositing User: | Vladimir Janevski |
Date Deposited: | 11 Feb 2020 12:28 |
Last Modified: | 11 Feb 2020 12:28 |
URI: | https://eprints.ugd.edu.mk/id/eprint/23792 |
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