Kukubajska, Marija Emilija (2015) The Theater of the Mask: Ben Johnson’s Stage, New-Age Carnivals and the World Anonymous. In: Salzburg Easter School - Feasting and Fasting Carnival Cultures .
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Brief presentation - EASTER SCHOOL -2015.pdf Download (415kB) | Preview |
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Abstract
To what extent a cartoon portrait masks the real Identity, or projects its hidden entity, its revolt or rejoicing, pity or pleasure, anger or elation, is the question that leads to another, Shakespearean question: to be or not to be the real identity behind the intended message. To what extent the messenger, the identity behind the mask represents its “reality” is a question that post-postmodern relativists never had a consensus on, due to their relativist and revised ethics and aesthetics in determining the matter of the mask. Michail Bakhtin’s search for parallels between Bolshevik function of masked socio-political identities and the archetypal function of masks in re-initiation of the human-centered celebration of secularism (existing in Medieval and Renaissance carnivals and masks) is the topic of this scientific-artistic review.
| Item Type: | Conference or Workshop Item (Poster) |
|---|---|
| Subjects: | Humanities > Art (arts, history of arts, performing arts, music) Humanities > History and archaeology Humanities > Languages and literature Humanities > Other humanities Humanities > Philosophy, ethics and religion |
| Divisions: | Faculty of Philology |
| Depositing User: | Marija Kukubajska |
| Date Deposited: | 24 Apr 2015 13:34 |
| Last Modified: | 01 Mar 2016 11:57 |
| URI: | https://eprints.ugd.edu.mk/id/eprint/13074 |
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