The Theater of the Mask: Ben Johnson’s Stage, New-Age Carnivals and the World Anonymous

Kukubajska, Marija Emilija (2015) The Theater of the Mask: Ben Johnson’s Stage, New-Age Carnivals and the World Anonymous. In: Salzburg Easter School - Feasting and Fasting Carnival Cultures .

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Brief presentation - EASTER SCHOOL -2015.pdf

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Poster.pdf

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Salzburg Easter School 2015_PRESENTATIONS.pdf

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Salzburg Easter School 2015_SCHEDULE.pdf

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Official URL: http://kulturelle-dynamiken.sbg.ac.at/files/SCF_Ca...

Abstract

To what extent a cartoon portrait masks the real Identity, or projects its hidden entity, its revolt or rejoicing, pity or pleasure, anger or elation, is the question that leads to another, Shakespearean question: to be or not to be the real identity behind the intended message. To what extent the messenger, the identity behind the mask represents its “reality” is a question that post-postmodern relativists never had a consensus on, due to their relativist and revised ethics and aesthetics in determining the matter of the mask. Michail Bakhtin’s search for parallels between Bolshevik function of masked socio-political identities and the archetypal function of masks in re-initiation of the human-centered celebration of secularism (existing in Medieval and Renaissance carnivals and masks) is the topic of this scientific-artistic review.

Item Type: Conference or Workshop Item (Poster)
Subjects: Humanities > Art (arts, history of arts, performing arts, music)
Humanities > History and archaeology
Humanities > Languages and literature
Humanities > Other humanities
Humanities > Philosophy, ethics and religion
Divisions: Faculty of Philology
Depositing User: Marija Kukubajska
Date Deposited: 24 Apr 2015 13:34
Last Modified: 01 Mar 2016 11:57
URI: http://eprints.ugd.edu.mk/id/eprint/13074

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