Analysis of transfer and application of the conceptual dimensions of the historical costume from the XIX century in the practice of the fashion designers of women’s fashion in the beginning of the XXI century – Year 2004 (fall-winter collections)

Kertakova, Marija (2022) Analysis of transfer and application of the conceptual dimensions of the historical costume from the XIX century in the practice of the fashion designers of women’s fashion in the beginning of the XXI century – Year 2004 (fall-winter collections). Kowledge International Journal, 54 (5). pp. 859-866. ISSN 2545-4439

Text 4. ANALYSIS+YEAR+2004+(FALL-WINTER+COLLECTIONS).pdf Download (1MB)

Abstract

Like any phenomenon and objectified human activity, the implication of the historical costume of the 19th century in the fashion of the new century is not accidental, but has its roots and protoforms. That is why it is necessary to examine these protoforms very briefly, and then to successfully explain what is happening on their basis. The framework in which the given study is placed has the following parameters – historically it concerns the fashion of the 19th century, taking into account the revolutionary influence of the French Bourgeois Revolution, the visual expression of the fashionable French women's suit, as well as the male business English suit is taken into account. On the other hand, the most significant and successful fashion collections are examined in terms of applying the implication and conceptual dimensions of the historical costume of the 19th century in the practice of women's fashion designers at the beginning of the 21st century. The purpose of the study is most concentrated in showing the transfer of the successful historical fashion decisions of the costume from the 19th century, which are „noticed again” in the fashion costume at the beginning and the first decade of the 21st century – specifically in this text 2004, with the key terms of implication and conceptual dimensions of 19th and 21st century fashion costume in the most successful designer collections. As a researcher, my attention is drawn to the potential contained in the implication of fashion costume, which is increasingly penetrating the artistic culture of designing and producing fashion clothes and accessories. On the other hand, the wide consumption and strong influence of fashion on human life impose the need not only for a philosophical or sociological analysis of the new phenomena of culture, but also for a comprehensive and in-depth scientific-theoretical study of the implication in fashion, covered by postmodernist ideas. The question arises: what are the reasons for individual achievements and finds of one era to be preserved and carefully transferred to other eras, even at the risk of the re-contextualization of the image originally created and embodied in clothing. Today, no one wears historical costumes just to protect themselves from the elements. The historical costume and the fashion and artistic trends it embodies make it an expensive museum piece. One learns from the taste of the old masters of clothing, from the combination of fabrics, colors and ornaments, from the ideas that the modern person (whether professional or ordinary consumer) can draw from the found cultural artifacts in the field of children's, women's fashion or the men's business suit.

Keywords: XIX century historical costume, implication, XXI century fashion – year 2004

Item Type:	Article
Subjects:	Humanities > Other humanities
Divisions:	Faculty of Technology
Depositing User:	Marija Kertakova
Date Deposited:	06 Feb 2023 10:52
Last Modified:	06 Feb 2023 10:52
URI:	https://eprints.ugd.edu.mk/id/eprint/31374

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